I’ve not been on here much recently, there’s been too much happening.
The opera – of course the opera! Each year I’ve done more and written about it less. Barely managing a faint tweet now and then this year. Carmen, under the direction of Chris Rolls had us on stage almost all the time even when not singing – so no time for gathering thoughts to get on the blog. I’m in the background here somewhere (photo © Lena Kern) foreground Don Jose, Adrian Dwyer and our amazing Carmen Hannah Pedley – so good we tended to get caught up and forget we should sing too. This run sold out weeks ahead of the performance so I know a lot of people were disappointed. You can read a (5 star) review here, and you can catch us singing the choruses between 3 and 5pm TOMORROW (Saturday 23rd July) at Greenwich Park bandstand, and stop to chat while we picnic between sets. (I may not actually be singing myself, as the company throat infection caught up with me as soon as we stopped performing.)
Between performances I hurtled up to Derby to be on a panel (Is high fantasy getting more literary?) and run a workshop (Writing with Your Ears) at EdgeLit5. I’m doing more of that at NineWorlds at the Hammersmith Novotel 12-14th August, with creative writing panels: The Feminine Voice and Writing Female Characters in 21st Century Fantasy Fiction and Writing Queer Characters. I’m not sure of the timings yet, but there’s loads on, workshops, panels, book launches and so on and the finalised timetable will be up soon.
So: writing! Sci Fi Novella turned down by Tor, flash fiction published on line by Spelk, if you like your literature short you might enjoy a free haiku walk (should that be a Haik?) round Horniman Gardens with friends The Museum of Walking on Thurs 4th Aug.
And finally, I got my first ever bit of fan mail – as in hand-written, from someone I don’t know, who loved The Dowry Blade! I think it’s such a fat book that it’s taking people time to read it, but there is now a very nice review on Goodreads too.
I think that’s me caught up for now.
I will be on a panel at Edge Lit 5, The Midlands’ premier speculative fiction event on Saturday July 16th.
The panel is at 12 Noon and is entitled: High Fantasy, High Art: Is Fantasy Growing More Literary?
Last I heard, I will be joined by Peter Newman, Jen Williams and Edward Cox.
Venue: QUAD, Market Place, Derby, DE1 3AS kick off at 10, goes on late.
I’ve been asked to step in last-minute to moderate another panel at LonCon3
Reimagining Families (Thursday 11:00)
In a 2013 column for Tor.com, Alex Dally MacFarlane called for a greater diversity in the way SF and fantasy represent families, pointing out that in the real world, “People of all sexualities and genders join together in twos, threes, or more. Family-strong friendships, auntie networks, global families… The ways we live together are endless.” Which stories centre non-normative family structures? What are the challenges of doing this in an SF context, and what are the advantages? How does representing a wider range of family types change the stories that are told?
Cherry Potts (moderator)
David D Levine
The other panels I am on are:
Liechester Square: Getting London Wrong
Thursday 19:00 – 20:00, Capital Suite 9 (ExCeL)
If there’s one thing you can guarantee about the reaction to any piece of SF set in London, it’s that British fans will delight in nit-picking the details: you can’t get there on the Piccadilly Line! So who are the worst offenders? Whose commodified Londons do we forgive for the sake of other virtues in their writing? Do we complain as much about cultural errors as geographic ones, and if not, why not? And given London’s status as a global city, is it even fair to claim ownership of its literary representation?
Alison Scott (Moderator)
We Can Rebuild You
Sunday 10:00 – 11:00, London Suite 2 (ExCeL)
SF medicine regularly comes up with “cures” for disabled bodies — from Geordi LaForge’s visor to the transfer of Jake Sully’s consciousness in Avatar — but the implications of such interventions are not always thought through as fully as we might hope. How does a rhetoric of medical breakthroughs and scientific progress shape these stories, and shape SF’s representation of lived physical difference? In what ways can SF narratives address dis/ability without either minimising or exaggerating such difference?
Cherry Potts (Moderator)