Refugees Welcome Anthology


I’m delighted that I have TWO stories in the forthcoming Refugees Welcome anthology.

refugees welcome

These are We Apologise for the Delay… a story of what it means to be a stranger and how communities form in times of need, told through the prism of the London Underground as the site for ‘first contact’ with aliens; and Queues a story about waiting at a border crossing and recognising someone from home. Both stories have at their heart the human instinct to kindness in a crisis, something I have been hearing from friends all over the country – offering their money and help and even their homes to those in need. All we need now is for the government to actually accept a sensible number of refugees: at the moment what we are offering over a number of years,equates too readily to the numbers arriving in a single day at the European boundaries. We need to offer  proper help, not pretend we are doing anything when we clearly aren’t. A couple of stories isn’t much, but it is something I can do, so I’ve done it; all the writers are donating their stories, no one will make anything from the anthology. RWA is a charity book that combines inspirational stories. It is the 3rd project run by Greg McQueen and 100% of sales go to Red Cross for Refugees.

UPDATE publication date 19th November so you can help by buying a copy (or more than one!). The perfect Christmas/Solstice/Diwali present etc.

 

A busy February: LGBT History Month and a whole lot of Love


February is a busy month for me, readings, publications, A’s birthday…

Just published

my story Neutral Ground is just published in 52 :Loves – a story for every week of the year, all about Love, but not necessarily how you’d think. Kindle only at the moment but you never know.

cover _for_52 loves

On Thursday 5th at 7:45 in my capacity as publisher, I’m ‘compering’ a reading of Devilskein & Dearlove by Alex Smith at Lewisham Library 199 Lewisham High Street SE13 6LG more details over on the Arachne Press Website.

On February 23rd, my story The Wetland Way will be read at Liars’ League Hong Kong (without me, it’s too far to go!)

LGBT History Month

Thursday 12th I’m at North Kensington Library, 108 Ladbroke Grove, W11 1PZ

6-7:30 pm

with VA Fearon where we will each be reading from our books, and interviewing each other about coming out as writers…

Shouting about Lesbian Literature – coming out as a lesbian writer.

Cherry Potts first collection of lesbian short stories, Mosaic of Air was published over 20 years ago, and she now owns her own independent publishing house, Arachne Press.

V. A.  Fearon’s first self-published crime thriller, The Girl with the Treasure Chest came out last year.

What has changed for the Lesbian author in the interim? What has the recent surge of self and indie publishing done for lesbian literature (and what is it anyway)?

Two personal approaches, with readings.

Thursday  26th I’m at Richmond Lending Library, Little Green, Richmond, TW9 1QL at 7pm doing readings and talking about writing and publishing.

Join writer and publisher Cherry Potts for an evening of readings and informal discussion of Lesbian & Gay writing with a whirl through anything from myth, to science fiction. Cherry will read from her own work and others published by her award-winning publishing house, Arachne Press.

Why Short Stories?


There’s been a lot of chat going on recently about short stories, including on the radio, this week’s Open Book had  Aminatta Forna giving a potted history of the short story from Poe, Chekhov and Saki to Helen Simpson, and even Ramblings (a walking programme … fascinating, listen!) had Claire Balding in company with short story writer Anna Maria Murphy. (nothing like being stuck at home recovering, for catching up with the radio in between sleeping.)

Having written two collections of short stories myself (and with enough material for 2 more!) and planning to publish (I hope) at least 6 anthologies over the next year or two, you’ll have gathered I’m quite keen!

I had an email yesterday in response to my posting about London Lies, in which the writer says

I was sure that it was near impossible to get short story collections published unless you are a well-known author

and asking how I managed it.

My very first short story was published in an anthology over 20 years ago. It was called Penelope Is No Longer Waiting, and I had sent it to Rosemary Manning, who was a friend, to cheer her up when she was unwell.  I got a phone call a couple of days later, saying

you could publish this

and then I saw a call for submissions from Onlywomen Press, and sent it off, and was accepted.  That easy.  I can still remember opening that letter, so thrilling.

I had two more stories in a further anthology at OWP, and then having got quite friendly with Lilian Mohin, the director at OWP, she was complaining about the quality of a lot of the submissions she received, and how she wished everyone wrote as well as me (or words to that effect).  My response was

plenty more where that came from

and I started drip-feeding her stories, one a month, under the heading of ‘entertaining Ms Mohin’, until she gave in and offered to publish a collection.  That was Mosaic of Air.

Mosaic didn’t sell very well, partly because I was in a wallflower phase and wouldn’t do any publicity, (I am so over that, as you may have noticed) and ended up with the remaining stock being pulped.  Not a happy moment!

Life rather caught up with me then and I wrote almost nothing for 11 years, then pulled myself together and published another collection, Tales Told Before Cockcrow. This did much better than Mosaic, and has almost sold out.

But what is it about the short story?

I’ll admit that some of my ‘short’ work is very long, almost novella length (now that’s really difficult to publish) but there’s something about a short story that’s like a jewel: carefully faceted and burnished to perfection, not a word wasted nor out of place.

Novels often have slow passages or subplots that don’t quite come off, but you are in it for the long haul so you put up with it, whereas you can’t afford to drift in a short story; and you can take risks and play games with language and structure, and the reader is prepared to come along because they know it’s not going to take you long to reach the punchline.

Since joining a writing group (WOOA) I’ve discovered that with a defined set of limitations I can write a fully formed story with a beginning middle and end in 20 minutes flat. Short Short stories… not quite flash fiction, because if it’s working, I write fast.

A really good short story settles into your mind with a sigh of satisfaction, like a good malt, or a perfectly toasted and buttered crumpet.

© Cherry Potts 2012

Fantasy Marketing


Joan Taylor-Rowan talks about marketing her novel The Birdskin Shoes – the fantasy and the reality!

joan taylor-rowan clip 7 marketing

© Cherry Potts 2012

Judging a Book By Its Cover


Teresa Villegras' magnificent painting

Joan Taylor-Rowan talks about choosing the right cover for her novel, The Birdskin Shoes, and discovering the work of artist Teresa Villegras

joan taylor-rowan clip 6 book cover

© Cherry Potts 2012

Interview with Joan Taylor-Rowan author of The Bird Skin Shoes


I’m posting a series of short snatches of interview with Joan Taylor-Rowan, Author of The Birdskin Shoes.  In this first section Joan talks about the inspiration for the title, and the connections between her own Irish roots and Joey’s escapades in Mexico, by way of religious imagery… its a far reaching book!

listen here! joan taylor-rowanclip 1

© Cherry Potts 2012