Essex extremes

Rainham Marsh copyright Cherry Potts 2011

I do like a mix and match day.  So we started with a couple of kilometres of walking round Rainham Marshes bird reserve.  Not many birds to see, but there’s not much to beat a marsh in the sun; a beautiful morning, a stolen September summer Sunday, wandering about in shirtsleeves with the end of the month in sight.

Rainham Marsh was in danger of being developed for years before the RSPB finally secured it, and they are being very conscious of stepping lightly now they’ve got it – the visitor centre makes use of natural light, ground heating, harvested rainwater… the tradition of grazing is kept up with a mixed herd of beef cattle relaxing in the scrubby grass, and dragonflies flitting hither and yon.  The walkways keep you above the reeds so there is some hope of seeing something – I have been places where all you can see are head high reeds – no doubt wonderful for the birds, but

Rainham Kingfisher copyright Cherry Potts 2011

I’d want at least a bittern under those circumstances!

I don’t mind the lack of birds when I can see the scenery, and they provide you with the odd sculpture to make up for it, and there are old military posts and firing ranges to distract from the lack of rustling and chirping.

Apparently the kestrels use the giant wooden numbers on the range as hunting posts, but not today.

We walked back along the river path, trying to work out where we were on the southern bank last week, but I think we were a lot nearer the mouth of the river than last week, although we could identify Shooters Hill in the distance.

Rainham range copyright Cherry Potts 2011

We got rather lost trying to find our next stop, the Royal Opera House Production Centre, where they were having a sale of costumes.  It could hardly be more different, although the building is again ecologically minded with a Sedum roof.

ROH Rococo copyright Cherry Potts 2011

We have a great time window shopping, trying on full length white Astrakhan coats, eighteenth century frock coats and monstrous cloaks.

There were queues from four in the morning yesterday, but it is quieter today with a very comfortable, good-humoured crowd, much laughter and enthusiasm, complete strangers taking pictures of each other and offering opinions on the fit of the Cinderella dress or the Hussar’s uniform.

There is something for everyone, and then some:

Transformations worthy of Cinderella copyright Cherry Potts 2011

Rococo, Barbarian or Grand Guignol, people were pulling dresses and armour on over their jeans with a fine disregard for modesty.  And some of the transformations are worthy of Cinderella.

Sadly, nothing fits me – that’s the problem with costumes, they have all been made to measure for particular people, and it wasn’t me!

The quality of the costumes was astonishing, I had expected it to be a bit gimcrack and just good enough to be seen from the gallery, but the stitching was mostly exquisite and not too worn and sweaty either.

Exquisite stitching copyright Cherry Potts 2011

I was surprised at how heavy most of the costumes were, I can’t imagine how they stand it singing under lights in such thick heavy (but gorgeous) clothes.

If I could have found something that fitted I would almost certainly have bought it, regardless of whether I would ever wear it, just for the pleasure of looking and touching.

ROH Grand Guignol copyright Cherry Potts 2011

ROH Barbarians copyright Cherry Potts 2011

Copyright Cherry Potts 2011

Folkestone Triennial: Art-on-Sea

A and I are a bit last-minute with exhibitions and regularly miss things because we think we’ll go ‘later’ and then just forget.  However, we actually made it to the Folkestone Triennial with two days to spare.  We followed the yellow seagulls sprayed on the pavement from the station to the visitor centre. There was a lot to see, and we resigned ourselves to not managing it all. I particularly wanted to see the Martello tower installation Towards the Sound of Wilderness by Cristina Iglesias, but it was a long way out of town and we just hadn’t got sufficient energy.  So putting that to one side, high spots were:

The Folk Stones copyright Cherry Potts 2011

Folk Stones, (Mark Wallinger) a square of 19,240 pebbles set in concrete, each one numbered, and the total number is the number of British soldiers killed on the first day of the battle of the Somme: they set out for France from Folkestone.  This is a permanent installation.

While we were there a young man was laboriously cleaning each pebble.

Out of Tune (A K Dolven) The sixteenth century church bell suspended on the beach which may only be rung every two minutes as it drives the neighbours to distraction, and can be heard tolling at…

nature taking over copyright Cherry Potts 2011

… the former harbour station, where the first world war troops moved from train to ship.  A bleak spot where nature is taking over – the perfect post-apocalyptic film set, all rusting girders, rotting wood and sprouting chamomile.  The art here is a rather odd 5 headed sculpture on a rug on the tracks; Rug People (Paloma Varga Weisz)  has a built-in anxiety – are these refugees arriving, or exiles leaving?  Either way, the train done gone; and it is the station which excites.

a perfect post apocalypse film set copyright Cherry Potts 2011

We were not alone – a girl child flitted amongst the metal columns and a man poked around the dishevelled rails, (“Isn’t this awesome?” he asked in delight) but there were not enough people to make anyone think they could possibly expect a train.

They were like ghosts, glimpsed from the corner of your eye.

scenes of devastation copyright Cherry Potts 2011

The Navy in the Nave copyright Cherry Potts 2011

The Navy in the Nave – a fleet of model boats floating suspended for the ceiling of the ancient church of St Mary and St Eanswythe.

A and I argued over the pronunciation, and then forgot about it as we gazed at the extraordinary collection of vessels sailing from nowhere to nowhere, seemingly jostling for space.

'For those in Peril on the Sea' copyright Cherry Potts 2011

The piece is called For Those in Peril on the Sea, (Hew Locke) and it is  as though we are looking up from the sea bed at a drowned armada, gradually settling down to join us.  It feels like something Terry Gilliam would dream up.  Oddly moving.

Folkestone in September is not wildly populated and there are a lot of dilapidated properties and empty shops.  It has only one small sandy beach, the rest are stony and a bit bleak, the harbour is attractive and there are plenty of fish shops, (more A’s thing than mine!).  We were lucky with the weather and it was a delight to walk along the seafront with warmth and late summer sun.

I’m glad Folkestone has the Triennial, because I wouldn’t have come otherwise and  it is important to visit our seaside towns, and celebrate them.

At particular points about the town there are plaques with locals’ comments on what you can see. Everywhere Means Something to Someone (Strange Cargo).  Just so.

I will probably be following the yellow seagulls again in three years’ time. something dreamed up by Terry Gilliam ... copyright Cherry Potts 2011

Copyright Cherry Potts 2011

Open Queue

Sweet Thames flow softly copyright Cherry Potts 2011

It’s day two of London Open House and we’re off to Crossness Pumping Station.  This has been a long-held ambition, but with so much to choose from over the weekend it has taken, ooh, six years? to get here.  The instigator of this sudden resolve is our friend J who phoned and said:

I’m going, come with?

cobwebs copyright Cherry Potts 2011

So we did.  Trying to avoid using the car and with the promise of a special bus to meet the train, we meet J and C at Lewisham and get the train to Abbey Wood.  There is a bus … a minibus that seats 12.  I count the queue.  The bus takes half an hour to make its round trip… We are going to be here two hours.  We rebel and get a mini cab to the gates. We walk up to the back of the queue for the door, which is moving very slowly indeed. There is a distinct smell of drains, and I find myself absentmindedly humming Sweet Thames Flow Softly which we learnt over the summer.

Overwhelming Copyright Cherry Potts 2011

Forty minutes later, we arrive at the door, and are given our tickets for the engine house.  We enter, and there is another queue.  We join it with dread, but it only takes another twenty minutes to finally reach the sacred portal and to be handed our hard hats.

Now.  Why would I be prepared to put myself through this?  I am not a patient kind of gal.  And visiting a sewage works isn’t your average glamorous London day out.  Well, the several thousand people who have visited Crossness will be grinning just now.

OTT painted ironwork copyright Cherry Potts 2011




Overwhelming, over the top, Ro-co-co (except it isn’t) Byzantine, laughter inducing mayhem.  The outside gives no clue to the interior.  The austere if decorative brickwork could be any typical Victorian engine shed – railway architecture at its best – Lombardy arcading, arched windows, bah blah.

floor copyright Cherry Potts 2011

Inside the first hall where the queue is, it is airy, spacious and light… and then, hat on head you enter the inner sanctum, and the dazzle and razzmatazz of the theatre takes over – every surface is moulded or filigreed, even the floors.  There is a feel of Moorish palace, except that the colours are wrong, and then there is the noise.

Flywheel at full tilt copyright Cherry Potts 2011

The beam engine is steady, regular, almost relaxed and surprisingly quiet, a sort of sigh and knock and hiss as it slides up and down, and the flywheel spins.  it is awesome in its grandeur.  There are four of these gracious monsters, but only one has been restored.  And only part of the engine house is painted back to its former glory, about which I am glad – I hope they don’t restore it completely, the ironwork is magnificent and the paint is garish, and whilst amusing, once painted the true skill of the iron casting is hidden.

And the still, silent end of the hall, is magnificent in its cathedral-like space.

Cathedral-like spaces copyright Cherry Potts 2011

Up the stairs, (also pierced into a pattern) there is yet more filigree floor, which is humming ever so gently.  I find this rather unnerving.  In fact it brings me out in a cold sweat.  I am quite relieved to get down again.

Stunning ironwork copyright Cherry Potts 2011

And yes, there is another queue to get into the basement.  The basement is very different dark, dusty and cramped.

Basement Copyright Cherry Potts 2011

I’m not surprised the queue is so long, as we spend ages going round, and they can only let people in with a hard hat.

After a cup of tea and a bit of cake, we take advantage of the fact that there is a gate onto the Thames path (not normally open) and walk back to Woolwich along the river.

Copyright Cherry Potts 2011

Thames path near Thamesmead copyright Cherry Potts 2011

London is Open

Mary Wollstonecraft's pew copyright Cherry Potts

Every year in September, buildings of historic, architectural and ecological note open for the public for free.  In London Open House is in full swing. Take a look at the overwhelming website – it’s all going on tomorrow as well.

Most years I go and feast my eyes and wear out my feet: holidays are planned around Open House we have to be in London the right weekend!  Fortunately, Heritage Open Days  which is similar but nationwide, is usually the weekend prior so some years we’ve managed both, although for the forseeable future we will be Singing for Water over H-O-D weekend.

So, A is busy with a family wedding, and I’m on my tod, and decide to take full advantage of the lovely Overground and quarter the borough of Hackney. I set off with my ‘favourites’ list and Transport For London maps, full of purpose and enthusiasm.

Graeae exterior copyright Cherry Potts 2011

First stop Hoxton.  I’ve been to the Geffreye Museum recently so I bypass it and head for Graeae Theatre’s offices and rehearsal space, right next door.  I bump into R, who I know from BSL classes and who works there, so I get a personal tour.  The building started life as a Tram depot and stables and has great arches all along the front which make for excellent natural light and a showcase for the sculptural logo that runs the entire length of the building.

Graeae rehearsal space copyright Cherry Potts 2011

The rehearsal space is particularly fine, with a sprung floor, and sophisticated lighting rig, all of which can be accessed and controlled from ground level.  The whole building has been thought out very carefully for access issues with textured flooring, good adaptable lighting, plenty of circulation space, induction loops… And according to R it really is a pleasure to work in.

Hoxton Hall detail copyright Cherry Potts 2011

Galvanised by this first venue, I toddle round the corner to Hoxton Hall, which is a very different kettle of fish – still with a drama theme – HH is a tiny musical hall.  It has done time as a temperance hall, a Quaker meeting-house and various other things, and is typical of theatres of its time in being seriously uncomfortable!  I notice a pile of patchwork cushions in the gallery, I’m sure they are needed.

Hoxton Hall performers copyright Cherry Potts

The Hall is being brought to life by a couple of performers, singing about wanting their beer and not getting it.  Disconcertingly they are flanked by a couple of headless dummies in theatrical costume, which in the dim lighting are a bit on the sinister side!

Newington Green Unitarian Church exterior copyright Cherry Potts

Back to the station and a short hop to Canonbury and then a stroll up to Newington Green for the Unitarian Church, at over 300 years old it is the oldest dissenting church in London that is still in use. Built when religious dissenters were still breaking the law ,and expanded since, it isn’t a particularly beautiful building, though it has a peaceful, open atmosphere (they were positively encouraging a young child to play the organ) and apparently the ball-hinges on the pew doors are rare… but it is its history that matters, both in terms of religious dissent, and in terms of feminism.  Mary Wollstonecraft worshipped here (pew 19), and I have a soft spot for her.

I am struck as I have been before, by the similarity of layout in religious buildings of this period, and the musical hall I have just come from.  Something about the galleries…

Newington Green Unitarian Church ball hinge copyright Cherry Potts 2011

I have a long list of other places I could go – a tower off Mare Street, The Hackney Empire, another theatre at Dalston (in the old Reeves paint factory), a tour of the East London Line stations… But I’m hungry and its trying to rain, and we are doing Crossness Pumping Station tomorrow, so back to Canonbury station and the train all the way home with no changes.  I love the Overground!

Copyright Cherry Potts 2011

Clytha Castle

clytha castle copyright cherry potts 2011

Clytha Castle has been on my list of places to stay for a long time – a folly in the best sense; it is a pinkish rendered, Gothick, castellated and turreted confection on a small hill in Monmouthshire – with panoramic views of Skirrid Fawr and Sugarloaf. It is gloriously daft – every opportunity for a Gothic arch or alcove has been enthusiastically taken up, and one tower is ‘ruined’ and probably was built that way.
We haven’t been before because it sleeps six and we need the perfect group of friends. And so we collect the perfect group (Jn & S and Jm & T & Daisy the dog – I’m not a dog person, but I am a Daisy person. She has an endearing habit of sitting by you and resting her head against your back or knee, and she is always willing to have her stomach tickled. She is a very responsible animal, and a pleasure to walk with.)
Clytha castle is surprisingly big. The impression the building gives is of pink sweeping curves everywhere, intersecting the green curves of lawn and hill, and the grey curve of the ha-ha that stops the cows clambering into the garden. I had imagined, like so many follies, that it would be mostly trompe l’oeil, but aside from its ruined tower and absurdist curtain wall, it is a fully functioning building: mainly a solid square tower, but attached to the tower is a circular stair turret and embracing that, a curved passage that connects one half of the tower to another where a ground floor bathroom and bedroom are tucked away.

fireplace copyright cherry potts 2011

Up the stairs this layout is replicated, (although the bathroom is less successful, extraordinary 1980’s tiles and a bath too narrow to get both shoulders into!) then a further short flight takes you to the best bedroom at the top of the square tower, which A and I get, much to my delight. This is painted a not entirely successful shade of apricot which could do with being a bit yellower, but has 3 sets of Gothick arched windows on two sides, and a beautiful marble fireplace, on which delicate oak leaf carvings overflow the recessed arches in the spandrels.
Up a further flight of stairs is a half-height door which takes you onto the roof. The battlements are too tall to see over, but the Landmark Trust, every thoughtful and trusting that their guests can look after themselves, provide a sturdy bench just high enough to give a view.
Back down stairs, a long narrow stone paved passage takes you to the kitchen in the round tower. Landmark specialise in round (and occasionally octagonal) kitchens, although this is larger than most, with a vast scrubbed table to eat at. Once again, Gothick arched windows and alcoves abound. Satisfyingly, the stair turret and the round rooms have doors that curve to fit. The living room (more Gothick Arches) has a massive door which opens onto the spectacular view, and we spend a fair bit of time sitting with this door open looking at the view. This is what I call gracious living… There is something about the house that reminds me of Elizabeth Goudge’s children’s classic, The Little White Horse (without any justification that I can think of, since the house in the book is far older).
There are owls in the woods, and they start calling early.

After dinner we go out to look at the stars and play with T’s astronomy app which, once fed the co-ordinates of where we are, will, if pointed at a constellation or individual star, tell us its name. It even knows about some of the satellites. This is great fun but you get a terrible crick in your neck. It’s a bit weird that, when resting my neck I lowered the iPad and it happily informed me of the stars beneath my feet. If there is another clear night (sadly in doubt) we will take the deck chairs out. When we go to bed I take the walking map with me.
Saturday morning we are all up ridiculously early, and are out of the house well before nine. The weather is cloudy verging on hazy sunshine and the mountains have reappeared from their early morning cloud cover. Walking across the parkland, we come across some soft brown calves and their parents. They are very sweet and have dramatically deep voices. We are distracted by them and head the wrong way as we reach the road, which means we get to see the gateway of Clytha House which is rather fragile looking but once again Gothicked to death.

daisy copyright cherry potts 2011

We retrace our steps and find the riverside walk along the Usk, which changes its character very quickly; one minute shallow and rapid over rocks, the next as still as a mirror. Daisy is desperate for a swim, but the sides are steep, so she is told no. Then we come to a stream and Daisy, ignoring all demands to the contrary, heads into it and from there into the river. Fortunately there is some reasonable access so she is given sticks to retrieve and comes back wet and happy. Buzzard wheel overhead, rooks, crows and a raven put in the occasional appearance.
Our combined map reading is not very efficient; partly because Jn, Jm and T stride ahead so much we often overshoot a turning, partly because I’m just out of practice, partly because the stiles are overgrown and uninviting. One alleged bridleway is so overgrown there is no way it could be ridden along, you would be decapitated by over-hanging branches. The hedgerow here has been recently planted, about four feet away from where it has at some stage been grubbed up, leaving only the occasional hawthorn. There is another large group of cows and calves, this time in the same field as us, so Daisy is put on her lead and we creep past sheltering behind the meagre cover of the hawthorns.

cows copyright cherry potts 2011

I get stung all up my arm trying to get over one particularly untended stile, however once over it we are in a field that seems to have had some kind of failed mustard crop that is roughly equally grass and little pale yellow flowers, with a healthy smattering of chamomile and speedwell along the edges. We miss the next junction as well, do a bit of judicious trespassing and find the path again, via a wheat field edged with wild Lupins which have gone to seed. Daisy puts up a pheasant, much to her delight. As we approach the castle, sun gilds a corn field below the Sugarloaf. Despite it being only 11:30, we have lunch!
Before we came away I was frantically trying to finish some work, and swearing at the bank for their useless internet service, and was somewhat distracted, so I left behind half the ingredients that I had carefully purchased for my share of the cooking. So A & I went into Abergavenny for shopping. It isn’t a particularly interesting town, but it has a deli, a good second-hand bookshop (very high quality stock, but a bit overpriced) and a priory church and tithe barn, at which (the church) a wedding is going on – all the men are wearing plain black kilts, with silver daggers instead of those giant safety pins. When we get back everyone but S (who is cooking) has collapsed into bed. We follow suit for a short while and then we reconvene in the eggshell blue living room, J embroidering like a 19th century lady, T reading his kindle, J and A reading newspapers, S reading her book, and there we sit until Daisy demands another walk. Sitting in the kitchen over supper, I glance up, and there are a dozen or more bats flitting about the turret.

Sunday morning and four of us (and Daisy) set off for another local walk, much briefer as we have guests for lunch. We head in the opposite direction and take a loop round the back of the local pub through a few fields of horses and sheep, much to Daisy’s disgust, as she has to be back on the lead. She isn’t a bit interested in chasing the wildlife, but after yesterday’s pheasant best to be safe. We are heading confidently for a stile, when we find that the woodland beyond is so completely impenetrable that there is no point even trying to climb it. Fortunately the house nearby has a drive that takes us to the lane, and as it is undoubtedly their wood that has been so neglected, we feel no hesitation at all in once more trespassing. We climb steeply up hill, take a sharp right and find ourselves back in yesterday’s Lupin and wheat field. We arrive back in good time to make preparations for lunch and then sit down to wait, and wait and … Our guests are nearly an hour late. Fortunately all the food is cold, and the sun is out, so sitting in the courtyard waiting for them is no hardship. With the addition of our guests we have reconvened the group that met at the Old Place of Monreith seven years ago (aside from the child who wasn’t even a glint in anyone’s eye at that point).

working off the cake copyright cherry potts 2011

We drink and nibble and then eat, and then take our guests on a tour of the establishment. They are suitably impressed. We set out deckchairs and sit in the sun admiring the view while the child and the dog race about getting properly acquainted. Cake is eaten and regretted.
A strange car appears, and S goes off to deal with them, which is just as well as she is a lot more polite than I would have been. They claim they ‘saw’ that there was a castle and thought they’d like a look round. They have come up a difficult to find, unmarked drive, through a closed gate and past a private sign; to a castle that is not visible from the road.
So we can’t look round then?
They go reluctantly, stopping to gawp on their way. We are furious. I long for a shot gun. I am very proprietorial about ‘our’ castle. Daisy barks thoughtfully as they disappear, having not stirred from her patch of sun the entire time they were there. We agree that none of us would have the gall to drive up to private premises and demand to be shown round. Our friends head home as it clouds up and we all collapse onto sofas with our books until it is time to set out for a meal (that we don’t really want anymore!) at The Bell in Skenfrith, about 30 minutes away. It is raining a bit, but we take a walk round the castle beforehand, and go and speak politely about the weather to the River Monnow.
The Bell does lots of local and organic, and ought to have been good, but like many well thought of eateries, the starters are good and the mains aren’t. I come off least well with a very bland pea panna cotta, not one of the constituent parts tastes of anything much; and Jn’s Brill is lukewarm. I wouldn’t have chosen this dish, but it was the only vegetarian option. The boys both go for a starter as main and do considerably better than the rest of us. I could have done this too, I suppose, but there are only 2 veggie starters, and I don’t much like beetroot. The heritage tomato starter is excellent however, the bread rolls straight from the oven are not bad and S’s Rock Bass is apparently good. With aperitifs and one bottle of wine, it comes in at nearly £30 a head for two courses, which I don’t think is justified. The consultation with the river seems to have done the trick, it has been raining heavily while we were eating, but stops before we leave.

On the drive back a furry something disappearing into a hedge is claimed variously as a stoat or weasel, personally I think it was a cat!

view from whitecastle copyright cherry potts 2011

Monday and despite T’s insistence of an 80% chance of rain it is a beautiful sunny, chilly morning. But we are slow to get going or make a decision as to where to go. Eventually we agree on White Castle and a circular walk utilising part of Offa’s Dyke and the Three Castles walk. The weather is perfect, bright, blowy and brisk. The castle (which A & I visited when on holiday with friends at Longtown about fifteen years ago) is just as good as I remember – enough standing to be able to get to the top of one of the towers, plenty of steps to go up and down, and sufficiently ruined to give a magnificent echo. Views all round spectacular. The walk also has just the right amount of views, hills, rivers and bridges; and the rain, which we can see settling in on Crug Hywel, doesn’t reach us until we are back at the car. We drive back to our genteel pink castle and eat leftover curry for lunch and then distribute ourselves around the living room in varying states of sleepiness, until it’s time for Daisy’s afternoon walk. A, Jn and I take her through the wooded pit (a small quarry once?) beside the drive, and out onto the hill for yet more views and once more the rain holds off until we arrive back. I settle down with a book from the shelf, The Bank Manager and the Holy Grail, by Byron Rogers, a very entertaining and sometimes moving collection of essays about Welsh characters and eccentrics. T & Jm provide an excellent dinner. No one stays up long.

big pit copyright cherry potts 2011

Tuesday and the weather is undeniably Welsh. It’s blowing a gale and raining, although the forecast is that it will clear by noon.
We decide this is the day for the Big Pit at Blaenavon, but all set off separately as the site is large and we don’t know that we all want to do the same things at the same time. Impressively everything on the site apart from parking is free.  A & I start with the ironworks, which have been there a Very Long Time (1790ish). They are exquisite in the way that only industrial architecture can be – towering brick chimneys, perfectly balanced arches, furnaces like miniature ziggurats, and within reason you can wander wherever you want, peer into anything you want, touch anything you want – including in the range of workers cottages. In the damp aftermath of rain it is very atmospheric indeed.

blaenavon iron works copyright cherry potts 2011

Jn & S have opted to go to Abergavenny market and nearly run us over as they drive past as we are crossing back to the car park. We coincide again at the Big Pit entrance, and then don’t see them again. We don’t spot Jm & T at all. After carefully inspecting the video and notices about the underground tour we decide it isn’t for us, 50 minutes crowded together in confined spaces – not my sort of fun. However we take a look at the exhibitions and wander around the winding gear house and various workshops. The pithead baths are spectacular, and the exhibitions well done. We trundle into town for something to eat, as the miner’s canteen doesn’t have anything on offer that appeals to me, though A would have been very happy with the cawl. Beans on toast and tea later, we head back to Clytha.

Wednesday, and we decide to walk a stretch of the Brecon and Monmouth canal from Abergavenny and come back along the disused mine railway. The walk takes us from Abergavenny castle down to the Usk, through a field of cows, along the river to the Llanfoist Bridge, across and past the cemetery, and under the head of the valleys road. Then (counter intuitively) up a very steep incline, to the canal, embedded in the side of the Blorenge mountain. (Can’t help thinking Blorenge sounds like an unhealthy fizzy drink, or possibly something a bit like porridge.)

We have the canal almost to ourselves and it is, despite the roar of the h.o.t.v. road, remarkably peaceful. There is a sheer drop to one side, masked by copious tree growth that doesn’t look all that stable – you wouldn’t want to lean your full weight on any of those trees. The incline on the other side of the canal is equally steep, and once again the trees are hanging on for dear life. Three bridges along, we climb up and onto the track of the disused railway which is probably the one that originates at the Big Pit of yesterday’s visit. This gently drifts back down to where we originally started climbing. Five and a half miles, which felt like only three.

tintern copyright cherry potts 2011

Thursday, and we wake to drizzle, which dampens our spirits a bit, but we set off for Tintern Abbey by the route the sat nav insists on despite the fact we want to go via Monmouth and the river route. It is actually very pretty, just not what we intended. It has more or less stopped raining by the time we get there, but despite this it is still grey and overcast, which actually suits the abbey well. It being many years since A & I were there we are happy to look it over again. Jn & S were there a lot more recently but manage to enjoy it again and take great amusement from suggesting the monastic lifestyle to T, who is never far from a smart phone and a bag of chocolate biscuits. We drive back the way we meant to go, but it isn’t as dramatic as we remember – the trees along the road have grown considerably and the view of the river is only glimpsed occasionally.
Back at our castle I go back to bed, having been awake since five and up from not long after, and then mid-afternoon, Jn A and I take Daisy for a walk round the Clytha estate. By now the sun is out and the light that intense gold of the end of summer, and it is hot. Daisy finds a way into the river again, points out the stiles we have missed, and has a thoroughly good time until we are on the home run, where we hit two tall stiles in succession with no alternative route for dogs, or at any rate adult Labradors. We manage to woman handle her over the first, but the second is set into an uphill slope and we cannot manage to lift her high enough. She is patient but won’t help, and there is nothing to be done, but phone T and get him to come and rescue his dog. Daisy rides home in the car and we finish our walk, which takes only another 15 minutes.

T has promised us a supernova with dinner, but it clouds back up, and there are no stars to be seen, exploding or otherwise.

Copyright Cherry Potts 2011