Notes from a Permanent Exhibition

More (and the last for the time being, until I find time to go again) from my National Gallery series, but not so much about angels.

The National has two Filippino Lippi Virgin & Child paintings, one with St John as a child, 1480 the other with Saints Jerome and Dominic 1485: in each she looks washed out and exhausted, her head at exactly the same level of bowed, only her nose is slightly different, the nostrils flare more with St John, as though she is attempting to keep up appearances for the child-saint.

On the subject of children:

The Master of Osservanza Birth of the Virgin circa 1440

Aside from a newborn baby able to stand, over which we will draw a veil, in the left hand panel we have St Jerome being informed by a child that he has a daughter.  Nothing of the kind. If you look closely, Jerome is telling the boy he has a baby sister, and he is not at all pleased.

A veer away from the religious subjects to Cosimo Tura’s thoroughly modern Muse. This girl has attitude: her dress is incompletely laced, her legs wide, her fist on her thigh. her well-plucked eyebrows raised in contempt she sits on a throne bedecked (it is the only word) with golden dolphins with ruby eyes, a shell above her head. she wears flock and carries a branch of fruiting cherry tree. She looks like she’s escaped for a dungeons & dragons role play programme – a Lara Croft for the 15th Century.

overheard by an altarpiece:

Mother: Nearly done, sweetheart.

Just pre-adolescent daughter: How many more sections are there?

Mother: Sixty-six.

Stop counting and enjoy.

© Cherry Potts 2013