What a difference a floor makes


First stage rehearsal for The Adventures of Count Ory last night, and although there’s still some work to do on the seating, the stage is pretty much set up. Fantastic ‘stone slab’ flooring that will double as the town square and the castle. Bent-wood chairs have replaced the heavy cushioned metal ones that the audience get, which makes them easier to lug about (not that I do, but I sympathise with fellow cast members who are). The cafe tables are smaller, and have proper crockery, and it suddenly feels so much more real, but also profoundly confusing.

There are two points in a production where it becomes one step forward two back. It’s not just me, the principals are making meaningless noises at intervals. Fortunately I am not rattled by this. Eight operas in, I know these are just hiccups.

The first occurs when we go into production and have to start moving and singing at the same time. The second is now, when we get on the stage, because we are also working with the real amount of space, particularly around the entrances. This might seem insignificant, but we spent some time working out exactly how far we can come on stage as a body, without blocking audience view – this is a highly complex bit of choreography! How tall are the performers? Where is it safe to stand? No, we can’t see Nick’s beat if we have the door shut, so yes, we will miss the cue…

I’m still having to practice crossing myself correctly. (apparently I’d adopted Greek Orthodox and we’re going for Roman Catholic. Who knew there was a difference??  It’s something I’ve never done in my life before and being left-handed, using my right hand feels pretty odd anyway.

And then: How many chairs? Are you sure? Who’s moved my chair? Who’s supposed to have the other end of this bench? Where are the cigars? Shouldn’t there be more bottles? Ok, I know this is a cue coming up, but what am I meant to sing?!

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Author: Cherry Potts

Cherry Potts is a published fiction writer, publisher, event organiser, photographer, cardmaker, NLP master practitioner, life coach and trainer. She is an enthusiastic singer. Through Arachne Press she publishes fiction and non fiction and runs spoken word events and cross-arts workshops for writers at interesting venues. Always interested in new opportunites to perform, write or explore writing.

2 thoughts on “What a difference a floor makes”

  1. Very interesting to have an insight in the staging of an opera. At the performances in Blackheath Halls everything seems to happen without effort, but obviously a lot of hard work has gone on beforehand to get everything right!

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