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Oh the weeping and the wailing
The trouble with having a brilliant time at Blackheath Halls prancing about singing is that inevitably it comes to an end. The party helps make the break, and it was good to hear from orchestra members how much they enjoyed the process too, and either wanted to know what on earth we did to Macbeth…
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Musical storytelling
Last night, before the performance Chris Rolls (director) reminded us that it is easy at a second performance to think, right I’ve done that now, and to slacken off a bit. Don’t let it get comfortable, he said. Good advice. We didn’t. However the advantage of having done a full performance with audience was that…
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Macbeth first night shakes the walls
I don’t know how I didn’t notice in rehearsal, but when we are waiting in the dressing room, we can not only hear the overture, we can feel it, the drums and brass rumble through the floor and the walls shake slightly. I can only assume that they’d been holding back a bit until now!…
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Spooky rehearsals
Chris Rolls (director) and Oliver Townsend (designer) have really gone for the supernatural and psychological in our production of Verdi’s Macbeth – lots of ghosts, spooks and blood. An Act III cameo role for 5 children as the Masters of the Earth warning Macbeth against MacDuff and setting im up with the Birnham Wood nonsense.…
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The Scottish Opera
Things are hotting up for the cast of Macbeth (Verdi), the latest production from Blackheath Halls Opera. We’ve met and heard all the principals, and we’re firmly off the book and managing to move and sing at the same time, though getting up from kneeling (to various kings – we get through a few) and…
Cherry Potts, Writer 