Foundation Myth is getting out and about – this is the audio recording of a reading of Story Cities we did at the Old Rotal Naval College in Greenwich for Design Week. That was a lot of fun, there was a storytellers’ chair!
I will be reading from my novel in progress, The Bog Mermaid
alongside Joan Taylor-Rowan,Rebecca Skipwith, Katy Darby, Kate Foleyand Math Jones
FREE Readings of stories and poems based in the past – from the 17th to the 20th Century – life stories and imagined lives, followed by a fairly short discussion about writing from history – what inspired the piece, what research was needed, how was the story shaped by the facts and which got in the way – that sort of thing.
With my writing cronies WOOA we are at BrockleyMAX Festival again this year, with stories at the Talbot pub, corner of Lewisham Way and Tyrwhitt Road, taking as our theme Hidden Corners.
We haven’t finalised who is reading, but probably Bartle Sawbridge, Neil Lawrence, Catriona Jarvis, Carolyn Robertson. And you can join in a very silly game after the break.
10am on Saturday 15th June (Flash Fiction Day) I am at Greenwich Book Festival for the first time, when I join my fellow editors Rosamund Davies and Kam Rehal for a pre-publication panel discussion on Story Cities at Room KW003 King William Court Greenwich University Old Naval College Park Row Greenwich SE10 9LS.
FREE, but we are assuming you will need at ticket, but they aren’t on the festival website yet.
As well as editing the book I have a tiny story in it, Foundation Myth, alongside 41 other writers. In the shops 13th June, you can buy it here now
STOP PRESS !I just had a flash fiction accepted for Flash Flood Journal. Rising Dawn will feature on the journal at around 8.45 on 15th June (national flash-fiction day) not long before we talk about forthcoming Story Cities book of flash at Greenwich Book Fest at 10am!
This is a third outing for Rising Dawn, previously on Spelk and Story Friday
This was an unintentionally topical story, written a while back. For those of us of a certain age, demonstrating, even on the streets of London was not always the comfortable, sunny, polite, almost-police-free day out it has been recently. The last 3 marches I’ve been on it has hardly felt worthwhile to start a chant, everyone is having such a lovely time. It was not always like this and I have been on marches like the one in the story when it got quite scary and there were snipers on the roofs.
And I have heard Flamenco rhythms cut right through everything else, so that people knew who is being applauded and why.
If I could travel at the speed of light, I would be reading my flash story Rising Dawn, at Story Fridays ‘Speed of Light’ event in Bath this Friday, 22nd September, but I’m booked on a film course Saturday morning and it’s one thing too many.
Fortunately actor Kirsty Cox is there to read it for me! So if you are in Bath, go along to Burdall’s Yard and listen in for me! Lots of other great stories.
Well, that isn’t actually true. I’ve written loads of poems, but I’ve just had one accepted for publication for the first time ever.
Anyway its very short and a bit silly, but it works – it’s a ‘proper’ poem with a recognisable form. I love writing free poetry but there’s a different kind of satisfaction to be got from the structured stuff, a bit like a fiendish puzzle, there’s an audible crunch when it fits together perfectly.
Encouraged by the strapline: It’s OK, you’re allowed to be funny I sent something off. So at some point in the next couple of months my tiny poem, The Thirty Second Mariner will be online at the delightfully named Spilling Cocoa Over Martin Amis site run by Jonathan Pinnock.
On a bit of a roll, I’ve also had a flash piece accepted by Spelk Fiction, and Rising Dawn will be on their site on 20th June.
The thing about running your own business is that holidays become almost entirely theoretical. It’s a holiday to leave the computer for long enough to hang out the washing on a sunny day, it’s a holiday to take the long way to the post office, it’s a holiday to read something that isn’t for work, or to listen to something that requires your full attention on the radio, or to take a day to learn new songs.
The thing about running your own business is that you can build a holiday in anywhere you want to, and around anything you want to, and justify it as ‘work’.
So a week in Cumbria because one of the poets in The Other Side of Sleep had organised a reading in Grange-over-Sands and it’s too far to go and not stay over, and if you have to stay over, well…
A few days with friends in Bath and a stop over with another on the way to Cheltenham.
So I briefly pretended I’m a poet last week. As I said whilst doing so, I am not a poet, I occasionally write poetry, it really isn’t the same thing. So here’s me pretending to be a poet, with one poem and two flash fictions that happen to kind of work as poems.
If you want to hear how real poets do it you can listen over on the Arachne Press website. I’ll be pretending again at the Cheltenham Poetry Festival on Saturday in the company of Angela France, Math Jones, Bernie Howley, Kate Foley and Jennifer A McGowan.
In the meantime I’ve been listening to Ursula le Guin on Radio4, first an epic 2 hour catch-up with The Left Hand of Darkness, and then a 30 minute documentary, with the woman herself, and various writers who admire and were influenced by her, including Neil Gaiman, Karen Joy Fowler and David Mitchell. I found myself falling in love with LHD all over again. I read it first in my teens, and again about 5 years ago, and I am in awe of le Guin’s talent and the subtlety of the adaptation for Radio by Judith Adams, everything I remember is there, and the bitter, bone deep cold swells through the recording so, so well. Listening to Gaiman and Mitchell say words to the effect of ‘this is why I became a writer’, I wonder: is this why I became a writer? (and unlike ‘poet’ I do identify as ‘writer’ because even when not writing I obsess about it – think about my characters, interrogate my bad habits, consider plot twists, discover great titles in over heard conversations…) and I think the answer is probably YES.
The Left Hand of Darkness has been one of my favourite books since I first read it, and unlike many others was even better on the second reading, and still made me cry (and I think another re-read is due). Discovering it so early, probably about the time I began to seriously think I might write ‘for real’, it must have had a huge impact. It is hard to tell, I read voraciously at that point, three books a day at weekends, back to back, swimming in words. I’m sure I amalgamate many of those books in my mind, not sure what comes from where, but LHD stands out from the morass, as do other of le Guin’s books: The Tombs of Atuan and The Lathe of Heaven in particular. They are doing an adaptation of A Wizard of Earthsea (My first ever le Guin read, when I was probably nine or ten) on Radio4 Extra next week – LISTEN!
Did you think you were going to get away without a reference to music? Ha! fooled you.
I spent Saturday immersed in songs about making choices and community and freedom, taught by the marvellous Lester Simpson in preparation for the next ‘big idea’, a celebration of Magna Carta in the week of the actual 800 year anniversary of the first draft being signed (if you ignore the change of calendar in the 18th Century). Nearly 50 people turned up and we sounded amazing. Here’s a sample…
You’ll get a chance to hear the songs we are working on in a more polished format at West Greenwich Library, 7:30 on Thursday 18th June. More on that nearer the time. There is a call out for STORIES for the event over at Arachne, you have til Mayday.
.Cent Magazine published my flash fiction, Is Nothing, in their Cornucopia edition under the Harvest theme. You have to sign up to read, but it doesn’t commit you to anything. Lovely illustration too.
This story came from running an exercise with a group at Swindon Festival of Literature in 2012 – in silence, just writing everything you can hear, but not interpreting it. Go back later and interpret what you have written any way you please. (So the creaking and groaning [of an unoiled hinge – the bit you don’t write down] might ultimately become the creak of a ship and the groan of …) rather than do nothing while the group wrote, I joined in, and this was the result.